Books

Books

Colorful digital painting of a nighttime urban scene with neon lights reading "TRIBUTARIES," blue and purple hues throughout, and an abstract water flow on the street. Artist signature "ASHLEY H." visible.

(Note: tributaries is out of print.)

Click the images above to be led to descriptions, point of sale, etc.

Poems |

Fiction |

Nonfiction |

Poems | Fiction | Nonfiction |

Select Poetry

“Invasive Species,” Blue Earth Review (forthcoming)
”I Don’t Have Time But,” Whale Road Review (forthcoming)
“Tell Me What You Thought Life Would Be,” Passages North (Print)
“Apotheosis: Ghost,” “Apotheosis: Girlhood,” Bluestem
“Diorama [what cannot be explained must disappear],” RHINO Poetry
“Tourniquet,” Variant Literature
“Original Sin,” Salamander (Print)
“Escapism,” The Journal
“Azadi,” Atlas + Alice, Best of the Net 2023 Nominee
“landay of movement,” Moon City Review (Print)
“This is Where We’re At,” Sundog Lit
“In a Team Development Class My Professor Says to Me My People Need to Be Bombed,” “This is Not a Burial, It’s a Resurrection,” Pidgeonholes
“Before This Day Ends, in the Fading Light,” Salt Hill Journal (Print)
“testimony [objects in the mirror are closer than they appear],” The Cortland Review
“IN THE NAME OF LOVE,” trampset, Best of the Net 2022 Nominee
”Origin Story Trapped in Neon Lights,” “montage: in summer,” HAD (originally published in Hobart)
“Asylum,” “AT THE END OF SUMMER,” Gone Lawn
“portrait of a girl, 2006,” Stoneboat Literary Journal
“one day you’ll be,” No Contact
“Divinity,” Barren Magazine
“Worship,” Up the Staircase Quarterly
“self-portrait as grief,” Rust + Moth
“If you disappear then I,” DIALOGIST
“cartography,” Mud Season Review

Creative Nonfiction & Essays

“Letter Burning,” Crack the Spine Year Anthology [Print]
"vignettes from youth," Halfway Down the Stairs

Select Fiction

“burning light,” Salt Hill Journal [Print]
“voice recorder,” in Flash Fiction Magazine
"At Nightfall," in (mac)ro(mic)

Criticism

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Culture Writing

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Interviews

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Criticism | Culture Writing | Interviews |

Interviews

“Director Kamila Andini on Making a Striking Indonesian Period Piece and Women’s Stories,” MovieWeb
Evil Does Not Exist Director Ryusuke Hamaguchi Explains 'The Most Important Thing' About His Work,” MovieWeb
“Rudy Mancuso and Camila Mendes Talk Música, Representation, and Inspiration,” MovieWeb
“Chinonye Chukwu on the Power of the Black Female Gaze in Film and Till,” MovieWeb
“Whoopi Goldberg on Why We Need Movies Like Till,” MovieWeb
“Director Shaunak Sen on His Oscar-Nominated Documentary All That Breathes,” MovieWeb
“Jenna Cato Bass and Babalwa Baartman Discuss Their South African Horror Film Good Madam,” MovieWeb
“Kausar Mohammed on Her Career and Queer Muslim Representation,” MovieWeb

Reviews

The Boy and the Heron Review: Hayao Miyazaki’s Latest Conjures a Special Brand of Magic,” MovieWeb
Evil Does Not Exist Review: A Sophisticated, Slow Tumble Through Ethics and Ecological Exploitation,” MovieWeb
About Dry Grasses Review: Turkey’s Newest Oscar Entry Slowly Hits All the Right Philosophical Spots," MovieWeb
Sakra Review: Donnie Yen’s Latest Martial Arts Wuxia Gets the Job Done, “MovieWeb
Música Review: Chemistry Crackles in a Refreshing Brazilian-American Romantic Comedy,” MovieWeb

Features & Culture Writing

“Park Chan-wook: How His Films Find Humanity in Darkness,” MovieWeb
“Iranian Cinema: A Decades-Long Medium of Resistance and Protest,” MovieWeb
"31 Days of Horror: A Girl Walks Home Alone At Night,” MovieWeb
Combating Global Narratives in Theatre from the Streets,” Women in Theatre Journal

Digital Storytelling

“Finding the Taste of Home in Korea,” U.S. Bureau of Educational and Cultural Affairs